David Mamet Teaches Dramatic Writing

David Mamet sat in on a poker game full of thieves and left with the inspiration for American Buffalo. Now, the Pulitzer Prize-winning writer of Glengarry Glen Ross takes you through his process for turning life’s strangest moments into dramatic art. He’ll teach you the rules of drama, the nuances of dialogue, and the skills to develop your own voice and create your masterpiece.

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LESSON PLAN

01

Introduction

David outlines what he’ll cowl on this class, and the most effective mindset you possibly can must learn to write nice drama.

02

Objective of Drama

Attempting to know drama? Look no additional than on a regular basis life. David teaches you easy methods to acknowledge drama at its greatest—when it seeks to easily entertain, not educate.

03

Objective of Drama (Cont’d)

Find out how drama features as a type of fable, the methods by which it enlightens the complexities of humanity, and the way it offers us with an outlet for expressing the problems that preoccupy us.

Present all 26 Classes

04

Dramatic Guidelines

As a dramatist, your job is to inform a narrative. David teaches you easy methods to maintain your story easy through the use of Aristotle’s Poetics as a information. Discover ways to maintain your hero’s journey on the coronary heart of your narrative.

05

Dramatic Guidelines (Cont’d)

Begin initially of your story and don’t cease till you attain the top. Throw away something that isn’t plot. David teaches you what to chop out of your script and easy methods to grasp the principles of writing.

06

Story Concepts

David teaches you easy methods to harness your fantasies and life experiences for drama. Search for drama in locations the place you’d least anticipate it and uncover the inspiration behind a number of of his performs.

07

Character

David teaches you what character actually is—motion. Discover ways to create goals on your characters and keep away from the faulty strategies generally taught.

08

Plot

Plot is paramount. Turn into conversant in the important substances of a plot just like the precipitating occasion and the second-act drawback. Discover ways to discover the plot hiding behind your scenes.

09

Structuring the Plot

David shares with you the strategies he makes use of to construction a plot and teaches you easy methods to join plot factors.

10

Structuring the Plot (Cont’d)

Be taught the ins and outs of the construction of a three-act play and easy methods to obtain cohesion throughout acts.

11

Case Examine: Structuring the Plot – American Buffalo

David discusses the historical past of American Buffalo and delves into its plot, instructing you the symbolism of the eponymous coin and the way the narrative speaks to viewers on a deeply human stage.

12

Case Examine: Structuring the Plot – Glengarry Glen Ross

David shares the inspiration behind Glengarry Glen Ross and discusses the variations between drama and tragedy.

13

Dialogue

Find out how David developed his type for writing dialogue, famously often called “Mamet-speak,” and the place to attract inspiration when making an attempt to write down nice dialogue.

14

Dialogue (Cont’d)

David talks about what informs and motivates dialogue, and easy methods to obtain a musicality and rhythm in your character’s speech sample.

15

Narration & Exposition

Writing drama isn’t the identical as conveying data. A dramatist’s job is to entertain, not bore, the viewers. Discover ways to acknowledge pointless narration and exposition and easy methods to let the viewers make it easier to lower it out.

16

Scenes

Each scene should include three issues. Be taught what these are and easy methods to acknowledge and take away scenes which can be pointless to your script.

17

Writing Course of

David discusses how he begins writing, the surroundings by which he likes to write down, how he offers with author’s block, and the way he seems to Hemmingway for inspiration on easy methods to start writing.

18

Writing Course of (Cont’d)

David tells us that there isn’t a fairy mud that can repair your script and explains the straightforward distinction between him and an artist who spends his or her days merely dreaming about turning into a author.

19

The Viewers

Find out how David reveres his audiences, what they’re searching for after they come to the theatre, and easy methods to be taught from them.

20

Lies & Reality

Your accountability as a author: don’t lie. David discusses how the viewers involves the theatre to listen to the reality and the way drama helps us seek for the reality. He offers examples of conveying the reality from two of his most revered performs.

21

Lies & Reality (Cont’d)

David continues speaking in regards to the reality in two of his most controversial works: Oleanna and Race.

22

Actors

Be taught from David, within the position of the theatre director, on how he views what makes a fantastic actor and easy methods to solid the correct ones on your play.

23

Actors (Cont’d)

David tells us what he believes nice actors ought to and shouldn’t do.

24

Lifetime of a Dramatist

The lifetime of a dramatist is frought with uncertainity, however dedication and fervour in direction of your craft can lead you past consciousness.

25

Lifetime of a Dramatist (Cont’d)

David experiences the self-doubt frequent amongst writers. Find out how he overcomes it and the one factor it is best to keep away from so as to forge a path in direction of turning into a author.

26

Closing

David leaves you with parting phrases and an emotional story from considered one of his favourite science fiction novels.